Lincoln as Monument/Lincoln as Icon (2009)

"Lincoln as Monument/Lincoln as Icon"
Lecture by Deborah Willis
October 28, 2009

Deborah Willis, eminent photographer and historian of photography, presented a slide-show lecture entitled, “Lincoln as Monument, Lincoln as Icon,” in which she discussed perceptions of Lincoln through art and photography in communities from 1870 to the present.

Dr. Willis has an affiliated appointment with the College of Arts and Sciences, Africana Studies. She was a 2005 Guggenheim Fellow and Fletcher Fellow, and a 2000 MacArthur Fellow, as well as the 1996 recipient of the Anonymous Was a Woman Foundation award. She has pursued a dual professional career as an art photographer and as one of the nation's leading historians of African American photography and curator of African American culture. Exhibitions of her work include: A Sense of Place, Frick, University of Pittsburgh, 2005; Regarding Beauty, University of Wisconsin, 2003; Embracing Eatonville, Light Works, Syracuse, NY, 2003-4; HairStories, Scottsdale Contemporary Art Museum, Scottsdale, AZ 2003-4; The Comforts of Home, Hand Workshop Art Center, Richmond, VA, 1999; Re/Righting History: Counternarratives by Contemporary African-American Artists, Katonah Museum of Art, 1999; Memorable Histories and Historic Memories, Bowdoin College Museum of Art, 1998; Cultural Baggage, Rice University, Houston, TX, 1995.

Her curated Exhibitions include: Engulfed by Katrina: Photographs before and After the Storm, Nathan Cummings Foundation, and Imagining Families—Images and Voices and Reflections in Black. Other notable projects include The Black Female Body A Photographic History with Carla Williams (Temple University Press, Philadephia, 2002); A Small Nation of People: W.E.B. DuBois and the Photographs from the Paris Exposition (Amistad Press, 2003); Reflections in Black: A History of Black Photographers - 1840 to the Present (New York: W.W. Norton); Visual Journal: Photography in Harlem and DC in the Thirties and Forties (Smithsonian Institution Press, Washington, DC, 1996); Picturing Us: African American Identity in Photography (The New Press, New York, NY, 1994); and VANDERZEE: The Portraits of James VanDerZee (Harry Abrams Publishing, New York, NY, 1993).